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Aric C. Hoek - Solaris Studios

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You are here: Home / Behind The Scenes / The Best Travel Camera Bag I’ve Ever Owned: Bevis Gear Review from Europe to Everyday Shoots

The Best Travel Camera Bag I’ve Ever Owned: Bevis Gear Review from Europe to Everyday Shoots

October 12, 2025 by Aric Leave a Comment

When you’ve been a working photographer for decades, you get picky about your gear. Bags, in particular, have always been a love-hate relationship for me. I’ve bought more than my share, and most of them ended up being compromises. But on my recent trip to Europe, I invested in the Bevis Gear camera bag—and I can honestly say this is a Bevis Gear camera bag review based on real-world use—and the best travel camera bag I’ve ever owned.

First Impressions

At around $400, it isn’t cheap, but for what might be the best travel camera bag Bevis Gear has designed, you can feel where the money went. The build quality is outstanding—sturdy, well thought out, and clearly designed by people who know photographers want fast access to their gear while they’re on the move.

The Standout Feature: Multi-Mode Versatility & True Quick Access

What sets this bag apart isn’t just the swing-around design—it’s the fact that it offers three distinct carry modes:

• Traditional backpack mode for balance and long walks.
• Over-the-shoulder mode with the bag riding behind you or to your side.
• Swing-to-front mode, where the magic really happens.

When swung in front, Bevis Gear has engineered a brilliant quick-access system. On the top panel is a hand strap with an integrated thumb button. At first, I wasn’t sure if I could trust it—after all, you’re carrying thousands of dollars of gear. But here’s how it works:

With the top panel fully zipped, your equipment is locked down and secure. Nothing is getting out.

Leave that panel unzipped, though, and you unlock the real convenience. You swing the bag forward, your hand naturally finds the strap, your thumb presses the button, and the lid pops open instantly. Your gear is right there—ready to grab without a single zipper pull.

I put this to the test with 15 pounds of camera gear, and not once did a lens, body, or battery slip out. That’s where the “trust factor” comes in. Once you realize how secure the quick access bolt really is, you stop fumbling with zippers and start working faster and smoother than ever.

Once I learned to trust the quick access system, I then began to practice the motion of bringing the bag to the front of me. And that when I found the additional side handle to help you control the bag during this transition.

Real-World Use in Europe

Berlin Marathon – Shoulder-to-Shoulder Access

Photograph of Toni finishing the 2025 Berlin Marathon, captured in a fast-paced, crowded setting using the Bevis Gear camera bag’s swing-to-front access—demonstrating how the bag enables photographers to get the shot without missing a moment
Toni finishing the Berlin Marathon 2025

Our trip began in Berlin, where my wife was running the Berlin Marathon. I was stationed at the finish line, shoulder to shoulder with spectators—all of us pressed against the railings, jostling for position. In a crowd like that, a traditional camera backpack would have been useless. There’s no space to take it off, unzip it, and dig around.

With the Bevis Gear bag, I didn’t have to. I swung it to the front, popped the lid with one thumb, and pulled my camera out in seconds—without ever breaking stride or losing my place. It was one of the few moments where speed and access didn’t just matter—they were the difference between getting the shot and missing it entirely.

Berlin Walking Tour – All-Day Wearability

Photograph of the Holocaust Memorial in Berlin, captured during a walking tour using the Bevis Gear camera bag. The quick-access design allowed me to shoot moments like this—quiet, geometric, and contemplative—without disrupting the flow of travel or drawing attention in a solemn space.
A quiet moment at Berlin’s Holocaust Memorial—captured during a full-day walking tour where the Bevis Gear bag’s all-day comfort and instant access made it easy to shoot with intention, even on the move.

We also did a full-day walking tour across Berlin—covering miles on foot and visiting landmark after landmark. The bag’s ability to switch between backpack and sling mode meant I could move comfortably and shoot efficiently all day. The shoulder strap system kept the weight balanced, and the easy front-access made it simple to photograph without disrupting the flow of the tour.

Munich – Versatile Performance at Nymphenburg Palace

Next stop was Munich, where we toured the sprawling Nymphenburg Palace. Even though the skies were gray and the light diffused, the location offered incredible opportunities for symmetry and reflection—perfect for slow, considered shooting. I captured a striking image of the palace’s back façade mirrored in the water below, as well as a portrait of my wife standing by a window inside, proudly wearing her Berlin Marathon medal.

Detailed view of the back façade of Nymphenburg Palace in Munich, captured during a light rain with the Bevis Gear bag allowing fast, unobtrusive shooting in a refined setting.
The back façade of Nymphenburg Palace, Munich. Despite the drizzle and ornate surroundings, the Bevis Gear bag helped me stay fast and discreet—perfect for slow, deliberate compositions like this one.
Portrait of Toni standing near a window inside Nymphenburg Palace, wearing her Berlin Marathon 2025 medal. Photographed in soft natural light, this image captures the quiet pride and accomplishment following her marathon finish in Berlin.
Toni wearing her Berlin Marathon 2025 medal, photographed the following day inside the grand halls of Nymphenburg Palace.

At Nymphenburg Palace, I wasn’t allowed to bring the bag into the ornate interior rooms—understandably so, given the risk of bumping into centuries-old furnishings and artwork. But outside, in the expansive gardens and along the palace façade, the Bevis Gear bag was in its element. I moved freely across the grounds, quickly accessing gear for architectural shots and portraits of my traveling companions without feeling weighed down or obtrusive in such a refined setting.

Sunrise on the Charles Bridge

On the Charles Bridge in Prague, I arrived just after 5:00 a.m. and found I wasn’t the first. Three other photographers were already set up with tripods, all of them pointed east—toward the entrance of the bridge and the old city beyond.

I hadn’t brought a tripod. That was deliberate. I was traveling with five others, none of whom were photographers. We were on tours, moving together, and I didn’t want to be the one constantly slowed down by extra gear.

The scene was too perfect not to try a long exposure. So I swung the Bevis Gear bag around in front of me, still strapped over my shoulder, and used it like a tabletop. I found it steady enough that I could let the shutter run without worrying about shake. The result? Smooth, atmospheric exposures of Prague waking up—spires, statues, and city light all layered together—captured without ever touching a tripod.

On a side note, I’m certain I’ll circle back to this image and insert a strategically placed warm window light or two.

Pre-dawn view of Prague’s Charles Bridge, captured at 1/15 second using the Bevis Gear camera bag as a stable shooting platform. This handheld workaround highlights the bag’s role as more than just storage—essential for photographers traveling light.
Charles Bridge before sunrise, Prague. I captured this long exposure at 1/15 second by resting my Nikon Z7 II on the Bevis Gear bag, swung in front of me like a tabletop. No tripod needed—just quick access and surprising stability when it mattered most.
Nighttime view of St. Nicholas Church in Prague’s Malá Strana, illuminated against the dark skyline. Captured from across the rooftops using a telephoto lens while traveling light with the Bevis Gear bag.
St. Nicholas Church at night, Prague. I captured this shot from across the rooftops while traveling with the Bevis Gear camera bag—no tripod, no heavy load. Just quick lens access and the freedom to shoot sharp and fast even on a long day of walking.

What made this moment special was using the Bevis Gear bag as a tripod. I rested the camera on the bag, swung in front of me, for a perfectly stable platform. The shot was taken at 1/15th of a second—long enough to show shake, but the bag held firm. You’ll find the EXIF data in the screenshot included.

Inside my Bevis Gear Bag: The Best Travel Camera Bag I’ve Ever Used

Before buying what I hope many are calling the best travel camera bag Bevis Gear has produced, one of my biggest questions was: how much gear can it actually carry—and carry safely? Here’s a labeled breakdown using my real-world setup.

Top-down view of a fully loaded Bevis Gear camera bag, labeled with red letters to show a professional Nikon camera body, two pro-grade lenses, an Anker power bank, battery charger, rain cover, and accessory storage. Dividers and compartments are tightly packed but organized for speed and accessibility.
Bevis Diagram 1 – Fully Loaded Bag Configuration
This is my real-world travel setup inside the Bevis Gear bag during a multi-country photo tour across Europe. Everything stayed secure, accessible, and protected—while keeping me nimble in the field.

Bevis Diagram 1 – Fully Loaded Bag Configuration
• A – NIKKOR Z 70-200mm f/2.8 VR S with hood attached. It fits fully mounted on the body without strain on the lid.
• B – Nikon Z 7II. I insert it body-first to avoid catching the eyepiece on the lip of the bag.
• C – NIKKOR Z 24-70mm f/2.8 S. The lens hood is inverted here, but it fits upright too.
• D – Anker 737 Power Bank. Fast-charging, powerful, used to charge my phone and keep the camera battery charger powered on the go.
• E – Camera battery charger sitting below this dual USB-C cable. I didn’t use the included batteries—just the charger, always powered by the Anker pack.
• F – Rain cover for the Bevis Gear bag. I used it during the trip and was able to easily return it to its drawstring pouch afterward.
• G – Top zipper pocket. I stored my phone, wallet, and AirPods here. Easy access when slung.
• H – Metal lid-locking bolt. Rock solid—I trust it completely.
• I – Sliding shoulder strap mechanism. Allows the bag to rotate smoothly from back to front.

Note: The area labeled E had room for a hot shoe flash as well, though I chose not to bring it on this trip.

Top-down view of a Bevis Gear camera bag showing a reconfigured lens layout. The Nikon Z7 II now has the 24–70mm f/2.8 lens mounted (A), while the 70–200mm f/2.8 lens (B) has been moved to the lower compartment with its hood inverted. The dividers have been adjusted to accommodate the swap.
Bevis Diagram 2 – Reconfigured for Lens Swap
In this configuration, the Nikon Z7 II now has the 24–70mm lens mounted (A), and the 70–200mm (B) is stored below with the lens hood inverted. This swap took seconds thanks to the open-top design and swing-to-front access—ideal for adapting quickly on the move.

🧹 Bevis Diagram 2 – Reconfigured for Lens Swap
In this configuration, the 24–70mm lens is now attached to the Nikon Z7 II, and the 70–200mm has been moved. By inverting the 70–200’s lens hood, it fits comfortably in the slot previously used for the 24–70.

What It Looks Like in Use

I’m shooting, so the lid is closed. When I’m done shooting I reach down, open the lid, lay my camera in its spot, and I close the lid listening for the snap. I sling the bag to my back and I’m off to catch up with the group.

You can see me here reflected in the glass of the 3XN Cube building in Berlin. This was during active use—note how the Bevis bag is slung in front of me with the lid closed. This is the swing-to-front mode in action. The bag never feels in the way, and it supports my shooting flow rather than interrupting it.

About the Photographer

I’ve spent the past 39 years as a professional photographer, capturing everything from high-profile corporate work to destination weddings around the world. If you’d like to see the kind of images that define my approach and standards, take a look at my corporate portfolio at solarisstudios.com, or explore my international wedding work at arichoek.com.

This wasn’t just a casual traveler testing a bag—it was a professional running real gear through real-world assignments across Europe.

Final Thoughts

There are thousands of camera bags out there. Most do the basics. But the Bevis Gear bag does more. It made me faster, lighter, and more agile—even while carrying serious gear.

If you’re a working photographer or just a serious traveler looking for the best travel camera bag that can keep up—this is the one I’ll keep using.

Photographer standing with the Bevis Gear camera bag slung crossbody, midway up a staircase in Prague en route to the castle, overlooking the city in the early morning light.
Climbing the castle stairs in Prague with the Bevis Gear bag—light, secure, and always ready. After a week of travel, tours, and early shoots across Europe, it earned its place as the best travel camera bag I’ve ever owned.

Filed Under: Behind The Scenes Tagged With: Berlin Photography, Best Travel Camera Bag, Bevis Camera Bag, Bevis Gear amera bag, camera bag review, gear for photographers, Munich Photography, On-Location, Prague Photography, travel camera bag review, Travel photography Europe, travel photography gear

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